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| Somewhere in Dreamland |
| Reviewed by Edward Larsen Terkelsen |
USA, NR, 9 m, 1936
Directed by Dave Fleischer.
God
only knows how many cartoons were made by the Brothers Fleischer during the
first half of the twentieth century; not even Chuck Jones could tout such a vast
output. Though known mostly for their Betty Boop, Popeye and Superman shorts,
the Fleischers (David usually directed while Max produced) turned out a handful
of Christmas-themed gems, such as Christmas Comes But Once a Year (1936),
Rudolph the Red-Nosed Reindeer (1948), and (my personal favorite) Somewhere
in Dreamland. The latter, like much from the Fleischers’ oeuvre, is a
celebration of American optimism in the face of the Great Depression. It follows
a couple of impoverished, cherub-faced children (think down-at-heel Campbell
Soup Kids) as they pull a rickety wagon down a snow-covered street, collecting
discarded wood to burn in their dilapidated lean-to. Along the way, they stop
off at a bakery window, and respond to the assortment of holiday treats on
display by making yummy sounds and rubbing their tiny bellies. By the time the
kindly baker has stepped outside with some complimentary cupcakes, the kids have
pushed on home, where their mother (who’s shaped a bit like Olive Oyl) has
prepared a rock-hard loaf of bread for supper. The tots gobble up every crumb,
but they’re mindful not to let their long-suffering mom (probably a widow)
know that they’re still hungry. After smothering her with hugs and kisses, the
kids turn in, their moth-eaten bed sheets resembling slices of Swiss cheese. As
they shovel off to dreamland, their spirits disconnect from their bodies and
float upward, which made me fear for a moment that the poor things had died. But
Heaven couldn’t be anywhere near this wonderful: a shower of gumdrops,
gardens of ice cream cones, and a chocolate cake merry-go-round. (This place
makes Willie Wonka’s chocolate factory look rather bland by comparison.) The
rotograph, a device used for mixing animation with model work (which was
developed by the Fleischers), is put to stunning use here as the kids merrily
skip through an almost three-dimensional dreamscape of sugary delights. It all
proves to be a mere appetizer, though, to the overflowing banquet (courtesy of
the aforementioned baker) that they awake to on Christmas morning. If this stuff
fails to move you, I suggest you start hoofing it down the yellow brick road
until you reach the merry old land of Oz. I hear there's a wizard there who just
might be able to hook you up with a heart.
December
1, 2005
©
Copyright
2007 by Edward Larsen Terkelsen. All rights reserved.
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